CUSTOM QUAD 9 | BEHIND THE DESIGN WITH MARCILIO BROWNECUSTOM QUAD 9 | BEHIND THE DESIGN WITH MARCILIO BROWNEMarcilio Browne talks us through the design behind Goyas new Custom Quad 9 one of the most iconic wave boards in windsurfing! Marcilio explains about how the board has evolved and the latest refinements to make it even lighter and its more connected feel when turning in critical sections.Marcilio Browne walks through the new Custom Quad 9 and the evolution behind one of the most iconic wave boards in windsurfing. Built from years of testing at the highest level, the Quad 9 carries forward the speed and drive the Quad line has always been known for, now with a freer, lighter, more connected feel through turns and critical sections. From outline refinements to stance changes and reduced swing weight, every adjustment was made with real-world wave riding in mind. Learn more about the Custom Quad 9, available in two constructions.WINDSURFER MAGAZINEFind yours: Goya Windsurfing Boards Custom Quad 9 Pro CarbonGoya Windsurfing Boards Custom Quad 9 Pro Carbon Haiku PackageThe post CUSTOM QUAD 9 | BEHIND THE DESIGN WITH MARCILIO BROWNE appeared first on Windsurf Magazine Online.

WINDSURF TRAVEL HACKS: WITH FLO JUNGWINDSURF TRAVEL HACKS: WITH FLO JUNGNext at the check in desk in our Windsurf Travel Hacks series, is Flo Jung a seasoned traveller who knows all the tricks of the trade to make your windsurfing journey smoother and less expensive!FLORIAN JUNG 20 YEARS, 100+BAGS, AND A MILLION TRAVEL STORIES!FJ: Traveling with windsurfing gear isnt just about logistics. Its about staying calm when your bag is 5 kilos overweight, convincing check-in agents that your sail bag is actually a golf set and learning how to live out of a board-bag with style. After more than 20 years on the road and a few hundred flights later, heres what Ive learned.Oh, Ive got a few travel hacks that saved my trip (and sanity) more than once!Sleep mask: Dont underestimate this simple tool. It blocks out the plane lights, the neighbours screen, or a crying toddler two rows back. It helps me reset, even on daytime flights.Noise-cancelling headphones: They help me zone out, meditate, or just protect my ears from chaotic airport soundtracks.Air Tags: These are game changers. I drop one in my board-bag, one in my suitcase. That way I always know where my gear iseven if the airline doesnt.Move every five hours: Long-haul flights are brutal on the body. I try to stretch, do some light yoga in the aisle, or walk around. You want to land with a body thats still usable.Stick to a solid flight routine: I treat long flights like creative downtime. I journal, read, listen to a good podcast or do some work. It helps my mindset and makes the trip feel productive.BOOKING TIPSFJ: Ialways book directly with the airlinewhenever possible. Its not just about finding the cheapest ticket; its about flexibility. If something goes wrong (and it often does when gear is involved), you want to talk to a real person who can actually help.Also, print out the airlines baggage policy. Ideally in English and in the local language of wherever youre flying from. If the check-in agent tries to charge you double for a board bag, you can pull out the policy and say, Herethis is what your website says. It works more often than youd think.PACKING TIPS:FJ: Packing is an art and a workout. First of all: buy light board bags. A 5kg bag already eats up precious weight. Then I use my wetsuit, yoga mat, or sails to wrap and protect the board. Board on the bottom, sails on top, boom and mast in between, thats my standard layering. And be smart, most airlines have a 32kg max per bag. Try to stay under 32 #kg to avoid rejection or extra charges. But if youre at 34 or 35? You can usually get away with it if you move some stuff (like your extension or harness) into your hand luggage.Also, this ones keyI try to fit everything into one bag. Most airlines chargeper bag, not per kilo. So instead of spreading gear across two 25 kg bags, try to combine everything into one under-32 kg monster. And if I need a second bag?Use a sail bag and say its a golf bag.Its a well-known windsurfer trick. Many airlines treat golf equipment more generously than windsurf gear, and it often flies for much less!ESSENTIALS ON BOARDFJ: Easy:headphones, sleep mask, journal, book, and something creative to work on.I dont treat flights as dead time, theyre floating offices and reflection rooms. Sometimes its where my best ideas come from.WINDOW OR AISLEFY: Im anaisle seat guy, ideally emergency exit row. But I never pay for a seat in advance. Instead, Iboard as one of the last people. That way, I can scan whats still free and grab the best remaining seat. Worst case, I fall back on the one I booked.At check-in, Ill usually ask politely: Any chance theres an emergency row available today? Kindness and a relaxed attitude often go a long way!CHECK IN!FJ: Checking in with windsurf gear is part strategy, part social intelligence. I always try to connect with the staff. Ask them something like: Whats your dream travel destination? or How early did you have to wake up today? Then I tell them about my tripthat Im heading to a wave spot, maybe just coming back from a competition or doing a coaching trip. If they ask how much the bag weighs, I always answer with what the airline allows, not the real weight. If theyre sceptical, Ill say, I had to pack in a rush and the gears a bit wet. Should be close though.Sometimes it works. Sometimes it doesnt. But its all aboutmutual respect.If things get tense, I ask: What would you do in my situation?That question often shifts the energy. People want to help, as long as they dont feel forced!OTHER TIPS!Bring extra straps for trolleys. Airport ones are usually broken or missing.Arrive early if youre nervous about the check-in or overweight. You want time to handle issues calmly.Read the faces of the check-in staff. If someones arguing with the agent in front of you, maybe switch to a line where the agent looks a bit more relaxed.Treat check-in like a game. The more you do it, the better you get.And most importantly:dont forget your packing list. Before you even start the car to go to the airport, ask yourself: Do I have my passport? It sounds dumb, but forgetting the basics is more common than youd think.WHEN IT ALL GOES PETE TONG!FJ: I had a flight once where they tried to charge me over 1,000 for excess baggage. Luckily, I was flying with a lawyer. We pulled out the airlines policy, proved they werent honouring their contract and got the full amount refunded within 72 hours. Things go wrong. Just stay calm, argue smart, andnever lose your cool. Youll be surprised how far a calm mindset and a bit of charm can take you!FINAL WORDS!FJ: After 20 years of windsurfing adventures, Ive realized thattraveling with gear is its own discipline. You learn to negotiate, read people, stay calm under pressure and, sometimes, carry 100 kg through three terminals without losing your mind. But honestly? Every mission is worth it when youre standing at the beach, looking out at perfect waves, with all your gear ready to ride.See you out there!The post WINDSURF TRAVEL HACKS: WITH FLO JUNG appeared first on Windsurf Magazine Online.

POWER_XT | TECH TALK | DUOTONE WINDSURFINGPOWER_XT | TECH TALK | DUOTONE WINDSURFINGLiam Dunkerbeck explains why his the fastest one rigging at Pozoas he talks us through the benefits of the Duotone Power_XT mast base.Mast Extension & Mast Base | DUOTONE WindsurfingThe post POWER_XT | TECH TALK | DUOTONE WINDSURFING appeared first on Windsurf Magazine Online.

SUSAN MCDONALD: ALL ACTION PHOTOGRAPHYSUSAN MCDONALD: ALL ACTION PHOTOGRAPHYAfter 25 years working as a midwife, North Wales-based photographer Susan McDonald has swapped hospital wards for windy beaches and crashing waves. Inspired by the energy and drama of windsurfing and a lifelong passion for wildlife and action sports, Susan is now building her new venture, All Action Photography. In this interview, she talks about learning the art of photography, shooting in brutal conditions and capturing those split-second moments that make windsurfing such a spectacular sport to photograph.All photos: Sue McDonald: Click any photo to enlarge and scoll!WINDSURF: What inspired you to get into photography? SUSAN MCDONALD: Ive always enjoyed photography and have always been drawn to action sports, wildlife and dynamic images. Ever since I was a child, I loved reading about wildlife and being able to capture images of nature and movement.After working as a midwife for 25 years, I took early retirement and moving to north Wales I have started helping my partner with his business and that change in lifestyle also gave me the opportunity to focus more seriously on photography.Meeting my partner also introduced me to windsurfing and the energy and atmosphere of the sport really inspired me to start focusing more seriously on photography and capturing moments that would otherwise be gone in an instant. Watching windsurfing at events like Rhosneigr, and seeing professional photographers working in those conditions, was definitely a defining moment for me. It inspired me to take photography more seriously, invest in the right equipment and really start developing my skills.WINDSURF: What style of pictures do you enjoy taking the most?SUSAN MCDONALD: Action photography is definitely what I enjoy most, especially windsurfing because every moment on the water is different and unpredictable. Ive always been drawn to action sports, including mountain biking, snowboarding and I love capturing movement, energy, and split-second moments in a single image. I also shoot a lot of wildlife photography because Ive always had a passion for nature and capturing moments that cant be recreated.WINDSURF: What gear did you buy, and how do you like it so far?SUSAN MCDONALD: I shoot with a Sony A7 IV, which Ive absolutely loved so far. My first lens was the Tamron 2875mm f/2.8, which was great to learn with and still works really well for general photography and closer action shots.As I got more into windsurf photography, I added the Sony 200600mm lens, which completely changed what I could capture on the water. Being able to isolate the riders and freeze the action from a distance has made a huge difference. I also use a monopod with the bigger lens, which definitely helps during long windy sessions.Ive also had some really helpful advice from other world class windsurf photographers, including John Carter and Simon Crowther, especially around camera bodies, lenses and using a monopod for longer sessions. Advice like that has been really useful while learning.More recently I added the Sigma 1628mm f/2.8, which I enjoy using for wider shots and landscapes. I also use Hoya UV filters for extra protection, especially around the sea and spray.Ive also learned very quickly that beaches, wind and camera gear can be a stressful combination, so I use a rain cover to protect everything from the elementsespecially the sand, which somehow manages to get absolutely everywhere!Im still learning all the time, but Im really enjoying the setup and how versatile its become. Next on the wish list would probably be a second camera body one day, so I can switch between lenses more easily without worrying about changing gear on a windy, sandy beach. For now though, Im really enjoying learning with the setup I have.WINDSURF: What are your top tips for shooting windsurfing photography?SUSAN MCDONALD: My biggest tip for windsurf photography is to learn the sport and watch the rider, not just the settings on your camera. Once you start understanding what the windsurfer is about to do, you can anticipate the action much better and time your shots more naturally.Shooting in burst mode definitely helps because everything happens so quickly, especially during wave rides, top turns jumps and aerial moves. Autofocus can also be surprisingly challenging with choppy water, spray and constantly changing light, so Im still learning all the time.Lighting also makes a massive difference. The position of the sun can completely change a photosometimes it can make the water and spray look incredible, and other times it can make it much harder to capture detail properly. Im also learning more and more what makes an image feel dramatic, whether thats the light, the spray, the height of a jump or the angle you shoot from.Ive learned that patience is a huge part of it toosometimes you can stand in the wind, cold and sea spray for ages waiting for one perfect moment. Positioning also makes a massive difference, and changing your angle slightly can completely transform a shot.Id also say dont be afraid to take loads of photos while learning. I still come home with plenty that dont work, but every session teaches me something new.And finallyprotect your gear! Wind, sea spray and sand are brutal on cameras.WINDSURF: Does it help that your boyfriend (Adrian Jones) is a fully addicted windsurfer?SUSAN MCDONALD: Definitely! My partner competed at a high level in windsurfing and is still heavily involved in the sport through judging and importing Simmer Style equipment, so windsurfing is a huge part of everyday life. He also previously had his own windsurfing magazine, so he has a really good understanding of the sort of images that work well within the sport and what people want to see.Through him Ive been lucky enough to spend time around riders like Ben Proffitt and a lot of the British wavesailing scene, which has opened up amazing opportunities and helped me learn more about both the sport and photography.With him being head judge at events like Tiree and Rhosneigr, Ive also had the chance to see highly experienced photographers working in difficult conditions, which definitely inspired me and helped improve my own photography.Being around the sport so much has helped me understand conditions, wave riding and different manoeuvres far more deeply, which makes a massive difference when trying to anticipate and capture the action naturally.It also means I spend a lot of time standing on windy beaches watching sessions, which has probably helped my photography improve quite quickly.WINDSURF: Where is your favourite place to shoot so far?SUSAN MCDONALD: Thats a difficult one because Ive been lucky enough to shoot in some amazing places already. South Africa was incredible because of the light, the colour of the sea, the heat and the overall atmosphereeverything just felt dramatic and photogenic. I also had the opportunity to do some wildlife photography there, which was really special for me because Ive always loved wildlife and nature photography as well as action sports.But Tiree was also really special for completely different reasons. Obviously, the windsurfing action was amazing, but I also really enjoyed the non-action side of photography there more than I expected to. Capturing the atmosphere, the people and the island itself was something I loved.It was also great seeing all different levels of riders in one place, and having the opportunity to spend time around experienced photographers and the event team was invaluable for learning and inspiration.WINDSURF: Where are you based, and are there many good photography opportunities in your area?SUSAN MCDONALD: Im now based in Deganwy in North Wales, and honestly its an incredible place to be for photography. Youve got mountains, sea, wildlife and constantly changing conditions all within a short distance, so no two days ever really look the same.As a keen mountain biker I spend a lot of time out in the mountains as well, so theres always inspiration and opportunities to shoot. I love the combination of action, nature and landscape photography, so North Wales suits that perfectly.We also love snowboarding and have even managed to get out on the local mountains during last winter, which has given me even more opportunities to capture outdoor action photography. The mountains are also full of wildlife, from birds to the wild ponies, so theres always something interesting to photograph even away from the water. Were also close to places like Rhosneigr, which gives me great access to the windsurfing scene and action photography.WINDSURF: Do you have any ambitions or long-term goals in photography?SUSAN MCDONALD: My main ambition is really just to keep improving and pushing myself creatively. Id love to continue building my photography business and become more involved within the windsurfing and outdoor sports community through events, magazines and working with riders and brands.I also want to keep exploring different types of photography alongside the action side, especially wildlife and outdoor photography, because thats still a huge passion of mine as well!WINDSURF: What lessons have you learned so far while shooting?SUSAN MCDONALD: One of the biggest lessons Ive learned so far is probably learning to slow down and really observe whats happening around me. Photography has made me notice light, movement and atmosphere in a completely different way.Ive also learned that the most dramatic or meaningful images are not always the biggest jumps or most extreme manoeuvres. Sometimes its the light, spray, emotion or timing that makes a photo stand out. Even with action photography, I think its important to sometimes take a step back and tell more of a story rather than just focus on the manoeuvre itself.Most importantly, Ive realised that confidence and experience only really come from getting out there regularly, making mistakes and continuing to learn every session.WINDSURF: What have been the toughest challenges youve faced in photography so far?SUSAN MCDONALD: The conditions are probably the biggest challenge so far. Shooting windsurfing means dealing with strong wind, sea spray, rain, sand and constantly changing light, all while trying to protect expensive camera gear and still capture sharp action shots. Ive also found learning the technical side of photography quite challenging at times, especially understanding settings, autofocus and editing. With action photography, everything happens so quickly that timing is really important, and sometimes you only get a split second to capture the moment properly.I think another challenge has been learning what makes an image really stand out rather than just being a photo of someone windsurfing. Im still learning all the time, but every session teaches me something new.WINDSURF: Do you have a favourite photo youve taken, or a favourite windsurfer to photograph?SUSAN MCDONALD: I dont think I have one single favourite photo yet, but my favourite images are always the ones where the light, action, spray and timing all come together in a split second to create something dramatic.My favourite person to photograph is definitely Adrian, because hes the person who introduced me to windsurfing in the first place. Being able to capture him doing something he loves at such a high level is really special, and he constantly inspires me to improve, become more confident and keep pushing myself with photography.WINDSURF: Have you started your own photography business, and how can people get in touch with you?SUSAN MCDONALD: Yes, Ive recently started my own photography page and business called All Action Photography, focusing mainly on windsurfing, outdoor action sports and wildlife photography. Its something Im really passionate about and Im excited to keep growing and improving over time.If Im at the beach photographing my partner, Ill usually be capturing other riders out on the water as well, so people are always welcome to come and chat to me or check out my work on Instagram.At the moment the best way to contact me is through Instagram at @allactionphotography or by email (susan@k90.biz) while my website is still being developed.The post SUSAN MCDONALD: ALL ACTION PHOTOGRAPHY appeared first on Windsurf Magazine Online.

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ANDY CHAMBERS: NEW GOYA AND QUATRO BOARDSANDY CHAMBERS: NEW GOYA AND QUATRO BOARDSBen Proffitt from Windsurfing TV catches up with Andy Chambers at the Defi wind to talk through the exciting new Goya and Quatro line up including the much anticipated new Polakow Quatro Board.The post ANDY CHAMBERS: NEW GOYA AND QUATRO BOARDS appeared first on Windsurf Magazine Online.

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